Mary Ann Tighe will acquiescently acquaint you that she wasn’t to the abode born. “I’m a babe from the Bronx,” says the assertive New York bartering real-estate broker, who afresh congenital a country acreage dubbed Hollyhock with her husband, Dr. David Hidalgo, on four acreage abreast the ocean in Southampton, New York. Located on the armpit of a above acreage accepted as Red Maples, the new abode has actual antecedents: The adhesive exoteric and Mission-tile roof allude to the aboriginal 1908 alcazar that was razed in the 1940s; the signature autogenous appearance were aggressive by the iconic mansions that artist David Adler congenital in Chicago’s beach suburbs in the 1920s and 1930s.
Sitting in the 55-foot-long, three-bay, pine-paneled library that was aggressive by an Adler design, Tighe pulls out books on the artist and his sister, decorator Frances Elkins. “I balloon area I saw it first, but I accept consistently remembered it,” says Tighe, award the pages with photographs of the library as able-bodied as the admirable black-and-white marble antechamber with an egg-shaped access (an Adler adjustment of a architectonics by John Russell Pope), which she asked artist Michael Dwyer to duplicate. “This is a souped-up adaptation of that library,” says Dwyer, who catholic with Tighe to Lake Forest, Illinois, to bout some of Adler’s houses. “Mary Ann capital 14-foot ceilings, and we capital to get the accommodation right.”
As CEO for the New York tristate arena of the all-around real-estate close CBRE, Tighe is a able agent who brings calm bartering landlords and high-profile ballast tenants. (She brokered the accord that brought AD’s ancestor company, Condé Nast, to its accepted One World Trade Center address.) Aback she accumulated the aggregation for her home—Dwyer, AD100 decorator Bunny Williams, mural artist Quincy Hammond, and architect Frank Cafone—she had them coact on a new guesthouse aboriginal to accomplish abiding they formed able-bodied calm beneath her direction.
In agreement of decorating, we capital to enhance the architectonics because it’s so strong.
Tighe is a virtuoso dealmaker, but she doesn’t accede it an art form. Trained as an art historian, she formed in the White Abode as an arts adviser for carnality admiral Walter Mondale and his wife, Joan, and again served as agent administrator of the National Endowment for the Arts from 1978 to 1981. She larboard Washington, D.C., to accompany her bedmate in New York, area he was alpha his career as a artificial surgeon. She went to assignment for ABC to barrage a cultural cable approach that would eventually become A&E, again became a agent in the mid-1980s.
Step Inside This Idyllic Southampton Retreat
Step Inside This Idyllic Southampton Retreat
Tighe was fatigued to Williams, the grande amazon of New York’s decorating establishment, because they are cut from the aforementioned cloth. “Bunny’s a businesswoman, and I knew she would accomplish anxiously and efficiently,” says Tighe. “She’s awfully practical. She’s a botheration solver, and abundance is as important to her as adorableness and elegance. She asks acceptable questions: ‘Do you accept a dog? Grandchildren? Do you accept houseguests? Do you eat in the kitchen?’ ” (Yes. Yes. Occasionally. No.)In fact, Tighe and her bedmate never eat in the kitchen. “They eat in the dining allowance alike if it’s aloof the two of them,” says Williams, answer why she advised a almost baby dining table for the admirable amplitude with attenuate 19th-century hand-painted Chinese wallpaper panels set into the boiserie. (“There’s a top that can be put on the table if she has a ample banquet party,” addendum Williams.) The dining allowance is affiliated to the kitchen by a handsome blue-gray-paneled butler’s pantry, which is abounding with an all-encompassing array of ceramics and linens. “I adulation ambience the table because I was beggared of dishes in my childhood,” says Tighe.
Williams and her accessory Elizabeth Swartz accepted Tighe’s admonition for the active allowance that overlooks an emerald lawn. “Mary Ann had apparent Pride & Prejudice on television and saw dejected walls that she capital us to replicate,” says Swartz. “We took screenshots of it, but the blush was altered from every angle, so it took a continued time to get it right.” The affluent adulterated dejected is the absolute accomplishments for a ample canvas by Abstract Expressionist Joan Mitchell that dominates one end of the room. “The painting absolutely ancestor adjoin the black wall,” says Williams.
The use of blush throughout the abode is absolutely modulated. “You charge to apperceive aback to stop so the apartment aren’t overdone,” says Williams. “You charge to anticipate of balance.” On the additional floor, a cream-colored anteroom leads to the massive admiral sitting allowance with animating sunset-pink walls. Furnished with sofas adipose in aerial floral chintz and Williams’s brand mix of aristocratic antiques, the amplitude is affably chichi but not cloying.
Shop The Adventurous Look Of This Hamptons Manor
Shop the Adventurous Look of This Hamptons Manor
Williams distilled the colors of the sky and area for the adjoining adept apartment with custom Peter Fasano blue-and-green-striped bolt for the walls and curtains and adventurous floral linen from Lee Jofa for the adipose bed. Tighe is abnormally addicted of the aerial lavender walls in her bathrobe room, area her grandson brand to sit on the bassinet longue and babble with her aback he isn’t arena in his toy-filled bedroom.
The bout of the acreage continues alfresco as Tighe strolls over to the two-bedroom guesthouse area she and her bedmate lived while the new abode was actuality built. She passes the pond basin to the aback of the acreage area a anew congenital freestanding four-car barn absolute some of her husband’s accumulating of 1960s sports cars is black by century-old trees. As she allotment through a parterre garden to the motor cloister at the access to the capital house, it’s accessible that one of the best deals she’s anytime put calm was brokering the adapted affiliation of Dwyer, Williams, Hammond, and Cafone. As Williams says, “Mary Ann was the orchestrator, and we were the players who produced the symphony.”
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