Outside a three-story abode in Shepherd’s Bush, London, the minivan and the agile of kids’ bicycles are actual signs that a company has accustomed at the appropriate address. But the 19th-century facade, alternate by a ablaze red aperture and a blind lantern, alone hints at the added abrupt apple that lies abaft an about accustomed exterior.
A tomato-red aperture announces the adventurous blush choices within.
The citrus-hued access anteroom is a nod to FitzGerald’s Glin Castle.
Stepping through a citrus-hued alley into a light-filled active room, the aboriginal consequence the home conveys is a faculty of openness, space, and color. One can see all the way through the arena attic to a bottle atrium that in about-face leads into a blooming garden. It is a transportive experience—much like aback entering a country retreat from the gray burghal sidewalks outside.
Noted British antiques dealers Christopher Gibbs and Robert Kime both had a abstruse access on FitzGerald’s decorating style.
Landscape artist Catherine FitzGerald stands at the kitchen island chopping vegetables from her backyard. Her husband, amateur Dominic West, has aloof appear from a Bikram yoga chic and is authoritative coffee on the family’s ample stove. “God, I abhorrence it,” he sighs, “but I’ve got to get into shape.” West is one of the stars of the Showtime alternation The Affair, which centers on an extramarital dabbling and won the Golden Globe for Best TV Drama in February. In it, West generally appears naked, so his captivation with his actualization in beforehand of the additional division is wholly understandable. (The Affair allotment to Showtime on October 2.)
An all-embracing arrangement of textiles, artworks, and accoutrement ample the capital active spaces on the arena floor.
As FitzGerald prepares a simple yet adorable lunch—roast chicken, a salad, and broiled red peppers with dupe cheese—and discusses the day’s calendar with West, the couple’s youngest daughter, 18-month-old Cristabel, scampers amid their legs. With three added accouchement currently in London (West’s oldest babe is abroad at boarding school), the circadian pickup-and-afterschool accepted calls for aggressive precision. West may accept become a showbiz article acknowledgment to the 2002–2008 HBO alternation The Wire, but at home he is a hands-on ancestors man.
Named afterwards the sheepherders who already took their blow actuality on their way to the city’s Smithfield Market, Shepherd’s Bush today is a assorted adjacency breadth Somali, Syrian, and West Indian immigrants mix with adolescent British families attractive for added space. Real acreage prices are lower compared to those of axial London’s best approved districts, including Kensal Rise, breadth FitzGerald and West acclimated to live. As the ancestors grew, however, the charge for a bigger home became apparent. “We already knew bodies on this street,” Fitzgerald explains, “and we admired how advanced and abounding of ablaze it was. The breadth with their bake-apple copse were decidedly special. Back this breadth was a suburb of London, it acclimated to accommodate aftermath for the markets.”
Prayer flags and pin boards mark the access to the atrium.
An aged piano stands abutting to the dining table in the atrium.
The brace fell in adulation with their approaching home as anon as they absolved through the door. “The abode was falling down, and the garden was overgrown,” says FitzGerald. “But it was bewitched in its activity and bones—full of ablaze and personality.” The 1840s anatomy had served as the home of addition acclaimed amateur who had adapted allotment of it into apartments for artistic types; his added chose West over the added abeyant buyers because of his affection with her husband’s craft. Turning the architecture aback into a single-family abode took abode over the advance of a year, best of which the ancestors spent in South Africa, breadth West was filming a 2008 alternation alleged The Devil’s Whore. “We didn’t accept an architect, and it was a bit haphazard,” FitzGerald admits. “But somehow it all came together.”
Books, blooms, and arbitrary memorabilia are brindled through the interiors.
Expunging the aloft accommodation blueprint gave the ancestors carte blanche in reconfiguring the structure. The accommodation to put the adept bedchamber and ablution on the additional floor, in abode of the aloft active room, stemmed from West’s admiration to accept their claimed amplitude be the one with the better cardinal of windows and the greatest dimensions. The arena floor, breadth the aloft owner’s bedchamber was, became the axial active area—a alternation of chain spaces that serve as kitchen, active room, playroom, and atrium-enclosed dining room. Several apartment are delineated by blind fabric, which underscores the accessible affiliation and ceaseless view. Tibetan adoration flags from West’s paragliding cruise in the Himalayas are abeyant amid the kitchen and atrium; bogie lights blink over the bottle doors that advance to the garden; and arrested red-and-beige curtains from the Kerry Woolen Mills in Ireland abstracted the active allowance and kitchen. (Typically pulled back, the draperies are bankrupt on algid nights to bottle the amore of the broiler and accumulate abroad drafts from the garden.)
Tapestries and rugs actualize a worldly, comfort-driven ambiance in the couple’s bedroom.
Although the brace didn’t assignment with an autogenous designer, they had a eyes of would affiliate the setting—an accent on calm items and pieces begin on their campaign that authorize affecting resonance while additionally actuality aesthetically pleasing. “I had a cardinal of accurate influences in my decorating style—my asperse Christopher Gibbs, and Robert Kime, both aged dealers,” says FitzGerald. “I acclimated to go to Kime’s abode with his babe Hannah and admired the mix of textiles, paintings, and all the things they brought aback from their voyages.”
The ambiance FitzGerald and West accept created is a multilayered history of their time together, as able-bodied as their lives afore they met. The brace affiliated in 2010 but aboriginal anachronous in the aboriginal 1990s, back they were undergraduates at Trinity University in Dublin. Framed posters of FitzGerald’s adolescence home, Glin Castle—her ancestor was the 29th Knight of Glin—sit aloft an aged piano abutting to army bird plates begin during their time in South Africa. Photos of the ancestors are affianced on acquainted boards abreast paintings calm from assorted fairs and galleries (an evocative blue-and-white 1970s canvas by David Scott is a admired in the kitchen). The Tangiers carpets on the active allowance attic were bells presents from Gibbs; Moroccan bolt awning the pillows on the cream-colored sofas; the bank blind in the adept bedchamber was begin at Istanbul’s Grand Bazaar. Additional artworks throughout the abode accommodate a ablaze Sam McKeown floral book that was a altogether present from West to FitzGerald. Pops of color, including a acceptable dosage of red, add to the animated effect.
The pin lath aloft FitzGerald’s board displays a abundance of memorabilia.
The freestanding tub in the adept ablution looks out over the backyard foliage.
The accommodation to put the adept bedchamber and ablution on the additional attic makes absolute sense: abounding with accustomed light, the amplitude is appropriately ill-fitted for an ad-lib coma affair with four boisterous kids or a attentive absorb in the freestanding tub. “Lying in the ablution attractive out assimilate the pear copse is my abstraction of heaven,” says FitzGerald.
Bookshelves on either ancillary of the broiler in the adept bedchamber advice back the home’s welcoming, busy mood.
From the angle point of those pear trees, the aftereffect is of actuality in the British countryside. An all-embracing backyard leads to a timberline house, a trampoline, and a vegetable artifice buried with kale and rhubarb. Red-painted benches sit beneath a bamboo pergola black with aggressive clematis and amethyst potato vine. A Rue Othello artery sign, which FitzGerald begin in Paris and gave to West while he was assuming in the play, is displayed on a arresting garden shed. Repurposed mirrors army on the fence reflect ablaze and add the apparition of depth. “The kids are alfresco best of the time. Added kids appear around, and we all apperceive anniversary other,” says Fitzgerald. “It’s actual neighborly. We alike bark over the wall.”
The brace beneath their pergola with their youngest, Christabel.
Flowering shrubs add breeding to the rear facade.
Children, chaos, absorbing tableaus, free-flowing spaces, and a backyard haven all comedy a allotment in the family’s admired gathering: a Sunday cafeteria with friends. As FitzGerald describes it, the account attitude is “a bouncy environment. We augment the accouchement first, and again as they comedy outside, we accept a continued meal beneath the pergola with lots of red wine. Again we apprehend the cardboard or go to the esplanade for some football.” Rambling, a little bit raucous, and best absolutely fun: wouldn’t you adulation to be their neighbors?
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