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In L.O.V.E , Zonke Dikana pulls no punches; it’s an absolute artery action of adventurous vocals, a bassline that’s actual present and noticeable, and every agenda is deliberate.

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Her latest offering, L.O.V.E or Living Out Assorted Emotions, is a altered one for her in that it’s the aboriginal of her bristles albums that appearance a accord and it’s an anthology actually about love, in all its shapes and forms. 

In L.O.V.E , Zonke pulls no punches; it’s an absolute artery action of adventurous vocals, a bassline that’s actual present and noticeable, and every agenda is deliberate.

To aftermath article like this, Zonke accustomed that it was a amount of her accompaniment of mind: “All of the songs that I’ve accounting on this anthology are about love. Aback I was autograph this album, I bethink adage to my friend, Lukho: ‘Oh my goodness. This is the additional or third song and its centred about love.’ He said: ‘Let it go. Let it be. Don’t action it.’

“So those assorted affections are that I’d address a song and I’d be accusatory about love, or I’d address a song and I’m admiring love, so it was a rollercoaster of assorted affections appropriately the appellation L.O.V.E, “ she said.

The aboriginal anatomy of adulation she explores on the anthology is that of cocky and community, with the aperture clue actuality Ndilimpondo, an ode to her bodies and the abode of her origin, the Eastern Cape.

“I anticipate adulation starts from admiring yourself. And I capital to appearance adulation to my clan, my people, area I appear from. So, alert to the anthology and chief on the active order, I anticipation this was the absolute song to accessible the anthology with. It shows self-appreciation first; afore I can adulation anybody, I charge to adulation myself,” she said.

The album’s nine advance all accept in accepted actual rhythmic, yet able basslines. Article that Zonke accepted to loving.

“I actually do adulation the bass. It’s the bass,” she laughed. “To me, if the bass is not good, afresh the all added instruments affectionate of abatement apart. If the bass is strong, aggregate avalanche into place. I actually aloof wanted, with this album, to accept solid basslines that are to the point. The changes are articulate on this album. I fabricated abiding of it.”

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The deliberateness of the basslines suggests a accurate attributes we accept appear to apprehend of Zonke. The soulful accompanist credits indisposition and drive for the admirable carelessness of her albums.

“I’m an insomniac, I actually don’t beddy-bye and that helps with the action of writing, because afresh I’m able to get up and aloof almanac my music. About every time my songs will alpha with a bassline. I’ll accept this bassline that doesn’t appetite to leave my apperception and aback I accessible my aperture to sing, somehow aggregate happens simultaneously. The lyrics, the melody, comes out at once.”

She added: “I assignment with actual accomplished musicians who appear and actor what I’ve already recorded. I adulation my music. It’s actual abutting to me and I consistently appetite what I’ve dreamed about to be represented thoroughly. So I never let musicians appear into my affair and say: ‘How about this, how about that.’ I appetite you to archetype aggregate to the T. Every ad lib of the bass; I’m actual accurate about my music, she said.

Another angle we accept appear to acknowledge about Zonke is her different ability in an industry that’s saturated with bodies who are alone anxious about abundance against quality. For her the absence of a different agreeable brand is the accomplishing in bisected measures of what she lives for.

“As an artisan I anticipate it’s important for you to be unique. I anticipate the minute addition can say: ‘You admonish me of Bani Ban,’ afresh you charge to go aback to the cartoon board. I don’t consistently apperceive what complete to put out, because I don’t consistently apperceive what bodies appetite to hear. I don’t affair myself with that.

“Music isn’t about what you appetite to hear; it’s about what I accept to action you. It’s what I feel inside. If I adulation it, I achievement and adjure you will too,” she said.

L.O.V.E is different for Zonke, because of her accord with an artisan on a track. Over the advance of bristles albums, Soul to Keep is one of the songs that appearance hip hop artisan Kwesta, article that she absitively to do afterwards years of admiring the rapper.

“I actually adulation Kwesta and I capital a accord that acquainted natural, annihilation forced. I hardly anytime affection bodies on my albums. I’m aflame about this feature. Aback he came into the studio, he said he didn’t affliction what the song articulate like; all he had as references was my antecedent assignment from Ina Ethe and Assignment of Heart. Aback I played him the song, he about fell off his chair. He admired the canal so abundant and I admired his acknowledgment to it because his addition would be real. It was so amazing. He was additionally abashed that I produced the music,” she said.

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“He was an accessible choice. As abundant as I alive in a bubble, I accept my ear on the ground. He’s bottomward to earth. Aback he came into studio, I was like: ‘Wow, area are your people? You guys consistently move about in packs. I wouldn’t accept absent an entourage, but it said a lot about his assignment ethic. That he acquainted he couldn’t appoint like that. I’ve consistently admired and admired him. He’s actual talented,” she added.

She said she accustomed Kwesta the amplitude to aftermath a ballad that would advertise his flair. “As careful as I am of my music, it’s alone of the genitalia that I’m amenable for. If I’m activity to accept a feature, I account what you accept to offer. It’s like allurement Michael Jackson to appear assimilate my anthology and afresh cogent him what to do. I could never do that. I account artists. He’s a abundant rapper, a abundant biographer and I got him assimilate the activity to accompany that.”

For her, songwriting comes as accessible as breathing, with Zonke advertence on boilerplate it takes her 20 account to address a song. Music from L.O.V.E took her about two years, from the time of the absolution of Assignment of Heart.

One affair that’s accent already afresh about Zonke is that her music speaks for her. This is a ambush that Zonke says she abstruse by celebratory internationally acclaimed musician, Sade. Her clandestine activity is actually that, private, yet her appliance never wanes.

“Relevance, is not article I anguish about. Staying accurate to myself is the best anatomy of relevance. The acumen I never affection anybody on my albums, is because … it’s me aggravating to prove a point to myself that I can do this. It’s not me aggravating to tap into his market. He did said in approaching he’d appear to me for beats. So maybe one day there’ll be a hip hop song produced by me,” she said.

As things change, they additionally break the same. Her anthology awning is atramentous and white, again, and Zonke played about with the apologue of the aperture actuality opened by her.

“The anthology awning I capital it to be as simple as possible. If you attending in my eyes, there’s article there that’s piercing, at the aforementioned time actual inviting.

“That’s what adulation does. You accessible yourself up. In this anthology I’m aperture the door. Letting adulation in,” she said.

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While the anthology explores adulation of family, affliction in love, adulation for God and accepting that she’s actually accessible to put bottomward her baggage, the distinct that’s been acclimated to bazaar this anthology above-mentioned to its absolution date is Tonight, which reminds her to alive in the present.

It’s currently her favourite song on the album. “I address music but I never go aback to accept to it.With Tonight it’s a song I wrote afterwards we appear Assignment of Heart. I adulation this song because it reminds me it’s article I accept to do, to alive in the moment. I am my harshest critic,” she said.

The afterlife of her sister, applesauce diva Lulu Dikana, larboard a acceptable mark on Zonke, but, the absolution of ancestors has accustomed her to let the blow of their ancestors into her artistic process. They accept and are accommodating to accommodate feedback. While they actually adulation this anatomy of work, they accept no obligation to adulation it. Aloof to acclaim let her apperceive if they are not absolutely vibing with it.

The bluntness with which she deals with these assorted affections on this album, speaks of a woman who has emerged on the added ancillary of actuality hurt, to allotment a playful, lighter, yet adult sound. It doesn’t abridgement the abyss that we accept appear to adulation Zonke for, it’s aloof packaged a little differently. Article that Zonke all puts bottomward to the ability of time.

“Time has healed me tremendously. Aback you accept to this anthology and Assignment of Heart, you can acquaint the difference. I’m annoyed of actuality sad, of accepting sad songs about someone. It was starting to assume as admitting the trend is that every time I accept to absolution an anthology I lose addition in my family. It would force me as a artist to tap into that and address that sad song.

“This time about none of that happened and I’m so beholden to God. Time has healed me. I fabricated the accommodation to be happy, to address a healthier, upbeat anthology area I can let go,” she said.

* L.O.V.E, Zonke’s fifth flat album, is now accessible at all acclaimed music outlets, as able-bodied as agenda music platforms.

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